Tuesday, May 19, 2009

My Sunday bike ride and the zombie squirrel

I went to see my friend Rob in north Portland last Sunday. It required a 10-mile slog on a comfort bike but it was worth it. My plans later that afternoon fell through and so I decided to meander home at whatever pace pleased me. Was trying to decide whether to go left or right when my gut feeling told me to stick with straight ahead.

“Erg,” I thought. “I've already seen Denver Avenue.”

But I'm a good monkey when it comes to my pesky gut feelings, so I did it.

The yards were cool and flower-filled and the sun was hot and I was riding slowly south happy for my Sunday freedom — it being the only day I take entirely off. It was impossible for me not to be in a good mood; in my expansiveness I was saying hello to the trees, to the flowers, to the kitties, to the baby squirrel hanging from the wire...

I did a double take. What the hell was up with the squirrel hanging from the wire? He looked a little dead, but the then I realized if he were dead, he must be a zombie squirrel, because he was tracking my movements with his beady little eyes, moving his head just enough to maintain a creepy recriminating aura.

Aw crap, I thought. This guy needs help. But he was 20 feet up in the air. And I'm only 5'6" with my shoes on.

I'd seen a man park a kayak- and bike-festooned 4Runner up the block, so I went to see if he would help.

“I just now pulled in from Texas,” he said.

I offered to help him unload his truck so we could use it as a platform. He made it clear he was not my guy.

I considered my options. I could: A. Ride away and have an über-crappy rest of my day because I'd left some poor animal behind to die in distress. ~or~ I could B. plant myself in the middle of the street and heckle people until someone helped me rescue the squirrel.

Obviously, I wouldn't be writing this and exposing my shame if I'd chosen option A.

Option B was in full swing when two more bikers rolled up. I pointed up and they stopped and regarded the squirrel. Once I convinced them that the squirrel was still alive, they joined me in my rodent vigil.

The squirrel was just a little guy, clearly not injured, but just sort of ... stuck up there. Like he'd scampered halfway out on the wire and then lost his nerve.

A brunette in her late 40's came walking by, saw us studying the squirrel and said, “He's not going anywhere – he's been there since 11 this morning.”

Oh my god. It was 2 pm. “We're going to rescue him,” I told her.

She offered no encouragement. Actually she offered the dour opposite and went inside her house.

“Whatevs,” I thought. I ain't leaving until this squirrel has a happy ending.

Not that kind of happy ending.

For god's sake.

In any case, a much nicer lady came by and said she'd go get something to rescue the squirrel with. She didn't offer any specifics and disappeared around the corner.

The squirrel, meanwhile, grabbed hold of his own tail. I surmised that he was trying to mix things up a little. Only so much you can do when you're stuck on a wire.

At the end of the block there was some free furniture that could elevate one of us five feet in the air. On a nearby porch were some broomsticks that I felt I could briefly liberate for the cause. That would get one of us up about 15 feet, but that was still 5 feet shy of the squirrel.

I was feeling more and more sick about the whole thing. We needed something better.

Something better appeared in the form of a dude in his 60's with a bare chest and a 20-foot-long bamboo pole.

Because don't we all have 20-foot bamboo poles laying around for when we need to rescue acrophobic squirrels?

The old guy proffered the pole. The little squirrel didn't know quite what to do, and in his confusion, did a full 360 around the wire. The girl and I grabbed my fleece and held it rescue trampoline-style underneath our confused little buddy. But our squirrel champion was savvy and teased the squirrel onto the pole. Once the squirrel had a good grip, he gently lowered the little guy to the ground. Without so much as a backward glance, the squirrel took off running.

We, meanwhile, went wild with applause (muffled by bike gloves, but still).

“Did my good deed for the day,” said the old dude. “Guess it's time for another beer.”

And with that, he disappeared into the glare of sunny Sunday Portland.



The couple lingered and the man, whose name was Daniel, helped me return the bookshelf to the corner. As we dragged, I explained that I was from Arizona and wasn't sure where I was going to land.

I'll admit, when he said, “I hope you stay — Portland could use more squirrel rescuers," I got a little choked up.

Wednesday, May 13, 2009

The life and business of writing - thoughts on place and patronage

I had a late coffee on a recent Wednesday with a woman named Sara Gray. Sara is a 25-year-old magazine writer turned wedding photographer who lives in west Portland with her IT consultant husband.

My reason for meeting her was to talk to her about her techniques for acquiring magazine clips. She shared stories of endless 10 hour days sending out 5 proposals per day and earning less than $4,000 over the course of an entire year. But through her stories she revealed herself as an entrepreneurially-driven woman who runs on grit, enthusiasm and determination — a woman who let nothing stand between her and her goals.

Nothing did until she grew tired. And still.

She wrote front-of-book magazine pieces to gain the trust of the magazines she targeted. She obtained the occasional feature assignment. Her husband kept them going while she chased her writing dreams.

She turned to photography as a form of respite and likewise threw herself into that. Studying and developing her skills were central --- her passion drove her to absorb 300 hours of conference classes over the course of 9 days in Las Vegas.

She thought she'd have to struggle as a photographer as well, but the clients came willingly and things started looking up for her. She still writes but doesn't have to burn herself out seeking assignments. She has, for the moment at least, found the right balance for herself and says she is as happy as she has ever been.

I ponder my own career and life on this rainy Portland afternoon. I'm in a sandwich shop called Kenny & Zukes whose walls are made out of glass. The rain outside keeps a steady cadence. I will bike in that rain before it gets dark, will stop on my bike and buy groceries to stock the flat I presently share with the Lewis and Clark English majors I found on Craigslist.

Earlier today, as I prepared to leave the apartment to meet Sara, I found myself posessed by a gut-deep, happy-dancing joy. I wasn't sure why it happend. This not knowing never happens; there's always some reason when I feel that happy. All I could pinpoint was how excited I was to get outside, to get on my bike and ride out into the rainy weather.

And so I ponder. Portland? Back to a car-free existence in a place I'm not ready to admit is probably my spiritual home?

In the model I've established for myself of late, the “where” is of little consequence. The “what” matters far more—that “what” being that I've thrown myself into a freelance writing career, have pared my life down to an almost capital-free existence. I've done this to buy some time. If I can work my way into a few magazine stables, get those editors calling me, then I have a chance at a sustainable magazine writing life. I have a shot at being that writer who gets to report the glossy 5,000 word microcredit article from Bangladesh.

The difficulty is that I am doing this bold thing and still there are details I haven't worked out. How long can I be on my own and living on nearly nothing?

Two and a half months is the current answer.

How much longer until the exhaustion from constant financial worry drives me back to a job?

Span of time: unknown.

But I'm not entirely on my own. The patron-artist model embodied by Sara and her husband is a hallowed one and the patrons I've had so far in my career have been many. There were the couches and trailers in that first year of serious writing. There was the three year relationship with the fellow writer; he was my patron and my lover and I still regard that time with a mixture of gratitude and guilt. Though perhaps I should upgrade that feeling to simply one of gratitude.

My latest patrons, the gentle, intelligent Coppick family, gave me space in their house in Washington, shared their hearth with me and generally opened up their lives to me. They gave me an office and quiet in the mornings and the necessary respite from quiet and solitude in the afternoons and evenings. It was an utterly elegant situation and within its confines, my writing thrived. I was useful to the twin girls while their parents ranged out of town for their careers. I was utterly isolated from the coffee houses and pubs where my friends might have forced my eyes upward and away from the page. It was, I felt, a life fueled by pure grace.

And then it ended. The invitation remained, but my usefulness waned. At the same time, I had a conference to attend in Portland and so I arranged to stay there for a few weeks thereafter to see friends and to get my bearings. I thought perhaps that I would go mountain biking in eastern Washington after that.

But the city of Portland is a green siren. She beckons with her art and her natural beauty, her urban trails and her cultured gardens. She opens up most days now that it's May with sunlight, raising warmth from the carpets of green and sprouting friendly people who are newly freed from their dour, gray bonds. I struggle to resist her call. I do not want to fall in love with a city like this, with any place so far removed from my beloved Arizona, but on days like today, my enthusiasm slips through the grate of my consciousness and I dance with joy without realizing why.

I'll decide soon whether to leave for Eastern Washington as I've planned or whether to linger for the summer here in the City of Roses. I once wrote that Portland was a good city, a place of green dreams, but don't think I sincerely meant it. I just had to pick a sustainable Northwestern city.

It wasn't going to be Boise, was it?

When I make it, it'll be an interesting choice. As always, the 'how' will be via instinct. The 'why' will be tougher to pin down, but there will assuredly be an intersection with my arch-purpose if I'm to say yes.

I left Prescott to seek my fortune and have found these several months later that its discovery is a daily unfurling.

That, at least, is unlikely to change anytime soon.

Wednesday, May 6, 2009

Travelog: In which Erica goes full feral in the Olympics

I've been traveling for more of this year than I have been home. I don't know where I'll end up and am deeply uncomfortable at the prospect of an open-ended itinerancy. But I see no other way.

That said, there are different grades of being on the road. For most of the last two months, my on the roadness was of the low grade variety, sleeping on the floor of a comfortable suburban cul-de-sac home. It's early May, and my travels have taken me closer to the heart of adventure, to a higher grade “Where the hell am I going to sleep tonight?” mode of travel.

I drive out of Puyallup and head through Tacoma to the Olympic peninsula. The Olympics have been calling me; they seem like an antidote to the conquered ruin that is Seattle and its suburbs. I sense healing there and its healing I need.

The last person I speak with before making my full descent into ferality is Billy, my ex-from-100-years-ago and my friend-since-15-years-ago. We share our recent love stories and he says some funny shit.

“I believe the technical term for the sort of romantic blind spot I suffer from is 'sucker,'” he tells me. I die laughing and tell him of my own latest misadventure. There's plenty to laugh at, but I'm still a little sore. Still, as I speak to Billy, I'm driving along a gorgeous shoreline and my soul is lighting up. Our call drops and I stop to eat an apple and peanut butter and put my feet in the clear and placid waters of the Hood Canal. My heart juggles both misery and joy, and then joy wins and I dance with it back to my car and drive a little further.

My friend, Geoffry Peak, told me about Dosewallips State Park and so when I see a sign for the park, I stop and go for a walk.

The trail starts in the woods and happiness joins me on my walk. After a while, the it drops near the Dosewallips River. I can see the rocks and water below, but the trail doesn't quite lead to them. The river calls me regardless. I ditch the trail and go down and from there, the walk gets fun.

The water's so cold it tortures my feet but I'm hopping giant dead trees, crossing the icy water on their backs and flirting with the river anyway. One log descends into an arm of the river and I hop off and wade to a bank. At its far end, I must cross again to continue on. I misjudge the water's depth and emerge with my jeans wet to the thighs.

I am happy that this is so.

I wander a dry side channel, tiled with river rocks, and rejoin the river up further on a lovely, isolated bank. The wind picks up. A storm from the west is blowing purple this way and wind whips the weather and river into a call and response. I watch the skies darken, my wet body far from the car.

Never better.

Regardless, I have three pieces of electronics on my person and only my fleece jacket to protect them. I enter the woods, with the intention of going back to the car, and come upon a set of signs facing the other way. Once I get beyond them say “stay the F out” (or some variation thereof – this coming from the back of the sign thing happens to me a lot). There's an arrow pointing back to the trail and emerge near a wetland bridge I've already crossed twice. I amble back to the park. All is well and I've made myself an appetite.

Inside the park, I run into Eric Hendricks and his side kick, Tracy. Park ranger folk. After a few moments of conversation, Tracy declares Eric and I siblings. We both have toured on bicycles the feral way, hiding ourselves at night and pushing forward without clear agendas by day. I ask him about camping and he says the dirt in the park costs $20. I ask him if there are other places and he tells me I can go to a spot high above the Dosewallips River's estuary. There I find the great grand-goddess of all stealth campsites. This campsite is so awesome that I decide it is possible to feel spoiled rotten by the gods.

It's a deep an narrow pad of developed land with a for sale sign out front. I drive the back of it and hide the car among the Scotch broom, those yellow flowered bushes so common to disturbed soil in western Washington. Beyond the bushes is a perfectly flat and concealed place to pitch my tent. From where I'll lay my head is a 20-mile view. I had tried to imagine goodness like this while I was driving, had worked to feel it in my gut as though it had already happened. Perhaps this has something to do with my good fortune. And perhaps Eric Hendricks is just good people.

I play guitar. Finish up an avocado that I'd started eating down on the Dosewallips tidelands where the flats went out half a mile at low tide. I had put my feet in the distant water canal down there and watched shellfish squirt water at my toes.

I snuggle into my tent, cozy and warm with the fly half-applied in case of rain. I leave the door wide open to the view, and read and journal and rest. I want to share how amazing this is and I want to be alone, too, and so I write. I awaken and it's raining and I partially drop the fly but leave the door open. The storm is to the back of my tent. I stay awake for a long while, long enough to watch the sky turn the electric blueberry of twilight and then the pink of day.